電影展覽:補時論的錄像藝術

講者:孫松榮 Song-Yong SING
(國立臺北藝術大學電影創作學系,藝術跨域研究所合聘教授)
主持人:勞維俊 (國立陽明交通大學視覺文化研究所副教授)
時間:112年5月19日(五)下午13:00-15:20
地點:國立陽明交通大學(陽明校區) 知行樓 322 教室
(詳細地圖資訊可參考下方連結:https://ymmap.ga.nycu.edu.tw)
摘要:
受益於技術沿革的二十一世紀電影在藝術實踐與理論思辨湧現新局。其中,電影與美術館之間的關係尤為顯著。臺灣新世代錄像藝術家對臺灣電影史展開的複訪電影,堪稱代表。同時,這引發了臺灣影史編撰學對於跨域影像的思考動能。
簡歷:
法國巴黎第十大學表演藝術研究所電影學博士。現任《藝術評論》主編與《中外文學》編委。曾任財團法人國家電影中心董事、《藝術觀點ACT》雜誌主編與召集人、臺新藝術獎觀察人、「共時的星叢:『風車詩社』與跨界域藝術時代」(2019)、「不只是歷史文件:港臺錄像對話1980-90s」(2018)、「啓視錄:臺灣錄像藝術創世紀」(2015)、第八屆臺灣國際紀錄片雙年展「紀錄之蝕:影像跨界的交會」(2012)策展人等。現正籌劃「一一重構:楊德昌」電影展覽(2023)。
主要研究領域為現當代華語電影美學研究、電影與當代藝術,及當代法國電影理論與美學等。專著《入鏡丨出境:蔡明亮的影像藝術與跨界實踐》(2014),編著《蔡明亮的十三張臉:華語電影研究的當代面孔》(2021)與《未來的光陰:給臺灣新電影四十年的備忘錄》(2022)等。編譯《電影考古學與世紀記憶:Godard《電影史》文論集》(2023年即將出版)
Through the Lens of Cultural Icons: Translocal Relations, Community Building, and Shared Experiences





A Seminar co-organized with the Hong Kong Studies Group
12 May 2023 (Friday 1000-1150 online) Conducted in English
Through the Lens of Cultural Icons: Translocal Relations, Community Building, and Shared Experiences
Helena Wu University of British Columbia Helena.Wu@ubc.ca
Blurb:
How does a place or an object become a cultural icon? What do cultural icons tell us about our relationship with places and objects in the city? This talk will explore the thing agency and the place-making power of cultural icons by examining the (trans)formation and the cultural reverberation of selected icons from Hong Kong. In order to unfold interactions and intersectionalities in/as relations, the talk will trace the cultural trajectories embedded in the actor-network of thing, place and body in the textual and material worlds. As a whole, this will enable us to better understand the undermined and the underrepresented, human and nonhuman, and uncover the community building potential in shared cultural experiences.
Bio:
Dr. Helena Wu is Canada Research Chair and Assistant Professor of Hong Kong Studies at the University of British Columbia, Vancouver. She is also Convenor of the UBC Hong Kong Studies Initiative. She has written on the topics of Hong Kong cinema, culture, literature, media, and identity for journals and edited volumes such as Interventions: International Journal of Postcolonial Studies (2018), Chinese Martial Arts and Media Culture (2018), Hong Kong Keywords (2019), Global Media and China (2020), Journal of Chinese Cinemas (2020), Asian Cinema (2022), HKU Journal of Chinese Studies (2023), and Screen (forthcoming). She is the author of The Handover After the Handover: Places, Things and Cultural Icons in Hong Kong (Liverpool University Press, 2020), where she explores the cultural reverberations of local icons in colonial and post-handover Hong Kong