講者:孫松榮 Song-Yong SING
（國立臺北藝術大學電影創作學系，藝術跨域研究所合聘教授）
主持人：勞維俊 (國立陽明交通大學視覺文化研究所副教授)
時間：112年5月19日（五）下午13:00-15:20
地點:國立陽明交通大學(陽明校區) 知行樓 322 教室
（詳細地圖資訊可參考下方連結：https://ymmap.ga.nycu.edu.tw）
Abstract:
Benefiting from technological advancements, 21st-century cinema has witnessed the emergence of new practices and theoretical speculations in the realm of art. Among them, the relationship between film and art museums is particularly significant. The revisiting of Taiwan’s film history by the new generation of video artists in Taiwan can be seen as representative of this trend. At the same time, it has sparked contemplation within the field of Taiwan’s film historiography on the potential of interdisciplinary imagery.
Curriculum Vitae:
Ph.D. in Film Studies from the Institute of Performing Arts Research, Paris X University, France. Currently serves as the editor-in-chief of “藝術評論” and a member of the editorial board of “中外文學.” Previously served as a director of the National Film Center, a chief editor and convener of “藝術觀點ACT” magazine, an observer for the Taishin Arts Award, and a curator for various exhibitions such as “共時的星叢：『風車詩社』與跨界域藝術時代” (2019), “不只是歷史文件：港臺錄像對話 1980s-90s” (2018), “啓視錄：臺灣錄像藝術創世紀” (2015), and the 8th Taiwan International Documentary Biennial Exhibition “紀錄之蝕：影像跨界的交會” (2012). Currently in the process of planning the “一一重構：楊德昌」電影展覽” (2023).
Major research areas include contemporary Chinese-language film aesthetics, film and contemporary art, and contemporary French film theory and aesthetics. Authored the book “入鏡丨出境：蔡明亮的影像藝術與跨界實踐” (2014), edited the books “蔡明亮的十三張臉：華語電影研究的當代面” (2021) and “未來的光陰：給臺灣新電影四十年的備忘錄” (2022), among others. Also involved in the compilation and translation of “電影考古學與世紀記憶：Godard《電影史》文論集'” (forthcoming in 2023).